LWIFF | Lonely Wolf International Film Festival
  • About
    • Director Statement
    • Exposure Opportunities
    • Meet Jury
    • Testimonials
    • Awards Categories
    • Terms & Conditions
  • News Journal
    • Press Releases >
      • | 2024 | >
        • WINTER CLASSIFIERS (23 DEC)
        • SUMMER CLASSIFIERS (28 AUG)
      • | 2023 | >
        • WINTER CLASSIFIERS (21 DEC)
        • SUMMER CLASSIFIERS (31 JUL)
        • SPRING CLASSIFIERS (28 APR)
      • | 2022 | >
        • WINTER FEST (23-31 Dec)
        • SPRING FEST (29 APR-7 MAY)
    • Film Reviews >
      • | 2024 |
      • WINTER CLASSIFIERS (18 DEC)
      • SUMMER CLASSIFIERS (28 AUG)
      • | 2023 |
      • WINTER CLASSIFIERS (21 DEC)
      • SUMMER CLASSIFIERS (31 JUL)
      • SPRING CLASSIFIERS (28 APR)
      • | 2021 |
      • WINTER FEST (16-26 DEC)
      • SUMMER FEST (30 JUL-8 AUG)
      • SPRING FEST (27 MAR-4 APR)
      • | 2020 |
      • WINTER FEST (15-31 DEC)
      • AUTUMN FEST (30 SEP-4 OCT)
      • SUMMER FEST (22-26 JUL)
    • Screenplay Feedback
    • Interviews >
      • | 2023 | >
        • SPRING CLASSIFIERS (28 APR) >
          • A SPECIAL BREAKFAST (Germany) · Savo Cubrilovic, Sarah Timm
          • MAHOGANY (USA) · Allana De'nai
          • THE STORY OF TITUBA: HAPPY 4 U (Sweden) · Jayce Landberg
          • WE THE PEOPLE? (USA) · Sai Man (Simon) Zhao
          • WHEN BUYING A FINE MURDER (Italy) · Gabriele Tacchi
          • DON'T CRY (Germany) · Hisham Zreiq
          • TROLLED (USA) · John F. Uranday
      • | 2022 | >
        • WINTER FEST (23-31 Dec)
  • Competition Results
    • | 2024 |
    • WINTER CLASSIFIERS (18 DEC)
    • SUMMER CLASSIFIERS (28 AUG) >
      • MAIN DIVISION
      • DIVISION 2
    • | 2023 |
    • WINTER CLASSIFIERS (21 DEC) >
      • MAIN COMPETITION
      • DIVISION 2
    • SUMMER CLASSIFIERS (31 JUL) >
      • 1ST PLACE WINNERS & TOP 10 NOMINEES
      • TOP 11-20 SEMI-FINALISTS
      • TOP 21-30 QUARTER-FINALISTS
    • SPRING CLASSIFIERS (28 APR) >
      • 1ST PLACE WINNERS & TOP 10 NOMINEES
      • TOP 11-20 SEMI-FINALISTS
      • TOP 21-30 QUARTER-FINALISTS
    • | 2022 |
    • WINTER FEST (23-31 Dec) >
      • 1ST PLACE WINNERS & TOP 10 NOMINEES
      • TOP 11-20 SEMI-FINALISTS
      • TOP 21-30 QUARTER-FINALISTS
    • SUMMER FEST (10-14 AUG) - ALL FINALISTS
    • SPRING FEST (29 APR-7 MAY) - ALL FINALISTS
    • | 2021 |
    • WINTER FEST (16-26 DEC) - ALL FINALISTS
    • SUMMER FEST (30 JUL-8 AUG) - ALL FINALISTS
    • SPRING FEST (27 MAR-4 APR) - ALL FINALISTS
    • | 2020 |
    • WINTER 2020 FEST (15-31 DEC) - ALL FINALISTS
    • AUTUMN 2020 FEST (30 SEP-4 OCT) - ALL FINALISTS
    • SUMMER 2020 FEST (22-26 JUL) - ALL FINALISTS
  • Digital Cinema
    • | 2024 |
    • WINTER FEST (18-31 Dec)
    • | 2023 |
    • 🔒 WINTER FEST (21-31 Dec)
    • | 2022 |
    • 🔒 WINTER FEST (23-31 Dec)
    • 🔒 SUMMER FEST (10-14 AUG)
    • 🔒 SPRING FEST (29 APR-7 MAY)
    • | 2021 |
    • 🔒 WINTER FEST (16-26 DEC)
    • 🔒 SUMMER FEST (30 JUL-8 AUG)
    • 🔒 SPRING FEST (27 MAR-4 APR)
    • | 2020 |
    • 🔒 WINTER 2020 FEST (15-31 DEC)
    • 🔒 AUTUMN 2020 FEST (30 SEP-4 OCT)
    • 🔒 SUMMER 2020 FEST (22-26 JUL)
  • SUBMIT NOW
ALLANA DE'NAI, DIRECTOR OF 'MAHOGANY'

​3-TIME NOMINEE BEST FEATURE FILM, BEST DIRECTORIAL DEBUT, BEST ORIGINAL SCREENPLAY
Breaking the Mold: A Conversation with Allana De'Nai, Director of "Mahogany"

In the fiercely competitive world of filmmaking, it's a rare feat to find a new voice that resounds with such authenticity and raw emotional power. Enter Allana De'Nai, an African-American actress, producer, director, and writer whose directorial debut, "Mahogany," has been honored with three nominations at the prestigious Lonely Wolf International Film Festival for Best Feature Film, Best Directorial Debut, and Best Original Screenplay.

"Mahogany" is an unfiltered, coming-of-age drama set in the harsh realities of an urban neighborhood. The narrative centers around Mo, played by De'Nai herself, a young woman determined to rise above her surroundings, which are characterized by drugs, crime, violence, and poverty. As the danger intensifies around her, Mo's decisions and resilience are put to the ultimate test.

Hailing from Killeen, Texas, Allana De'Nai has been steadily building her reputation in the film industry. She started her journey in 2016 with theatre and commercial acting for several local and international brands. She then transitioned to starring in and producing various independent films before taking the reins to write, direct, and produce her own work. This remarkable journey culminated in the creation of her own film company, "Mahogany Films Productions."

Off-screen, De'Nai's influence extends beyond the realms of film and acting. She is also a self-help and personal development author, using her platform to empower others, showcasing the same determination and courage her character, Mo, displays on-screen.
In addition to De'Nai's captivating performance, "Mahogany" features a strong ensemble cast, including Corrigan Coleman as Quan, Bruce CallMeChoko Zelaya as Mike, Jasmin Garlic as Angie, and Kalvin Kosha Fitzgerald as Deshawn.

Join us as we sit down with Allana De'Nai, the inspirational force behind "Mahogany," to discuss her groundbreaking directorial debut, her creative process, and her journey from actress to multi-talented filmmaker. This is a tale of courage, resilience, and the indomitable spirit of a woman who refused to be confined by the boundaries of conventional filmmaking.

What inspired you to create this film? Could you share some insights into the genesis of the idea?

The inspiration for my film "Mahogany" came after my first year of teaching middle school. Many of the students I taught resembled Mahogany in the film, grappling with the risk of becoming products of their environment. I wanted to write something relatable and educational for them, ultimately inspiring them to rise above their circumstances.

How did you approach the subject matter of this film? What research or preparatory work was involved?

As the writer, I aimed to create relatable characters. The music, clothing, and vibrant colors seen throughout the film were all intentional. My goal was to captivate the younger generation since the film was made for them. I want them to watch the film and take something away from it.

Could you share some challenges faced during the film's production? How did you overcome them?

Filming the entire movie in seven days was a challenge in itself. We were constantly racing against time and daylight for our outdoor scenes, which comprised half the movie. Over-planning and preparation were crucial in overcoming this challenge. Being proactive rather than reactive was essential. I devoted ample time in the preproduction phase to create a shooting schedule that ensured we could complete the movie in a week, and we did!


Your film has been described as "powerful" and "innovative." What do you believe gives it these qualities?

Was this something you consciously worked towards?

It's amazing that "Mahogany" has received such praise. I believe the film's power lies in its message, which emphasizes the power of choice, especially for minorities. I wanted to encourage young people to rise above their origins. "Mahogany" is innovative because it presents a unique "coming of age" story. I intentionally chose a female protagonist, as there are few female characters facing struggles related to crime, drugs, and violence at such a young age like Mahogany. This sets my film apart from others.

Could you discuss some of the important themes and messages you aimed to convey through this film?

Although there are multiple messages in the film, the overall theme focuses on the power of choice and rising above one's circumstances.

How does this film resonate with your personal beliefs or experiences?

This film resonates with me because I was once in Mahogany's shoes. I found myself surrounded by people who hindered my growth and eventually realized that my actions, beliefs, and associations had led me to that place. When I started teaching and saw my students heading down the same path, I decided to address the issue through art. Thus, Mahogany was born from my personal experiences and observations during my first year teaching eighth grade.

How have audiences responded to the film so far? Have any reactions particularly surprised or moved you?

The film is currently in the festival circuit, and we've received a lot of positive feedback. Many people have enjoyed it and are eager to know if there will be a sequel based on the ending. Watching the film with an audience for the first time and seeing their real-time reactions was exciting! My team is thrilled for the film to stream in July.
Picture
How has creating this film influenced or changed you as a filmmaker?

This film has established my credibility as a filmmaker, writer, producer, and director. I am now collaborating with other filmmakers on future projects. It also allowed me to showcase my talents and abilities to the world. This is my first film, and I'm just getting started. It's only the beginning.

Could you share some notable experiences from the filming process?

Considering that we filmed continuously for an entire week, the most memorable moment was undeniably when we finally completed the project and heard the phrase "It's a wrap!" The passion and commitment displayed by everyone involved in this project were truly commendable, and for me, that remains my favorite memory. I had previously failed in two attempts to film this movie. Thus, the successful completion on my third attempt marked a triumph of determination, perseverance, and tenacity.

Would you mind sharing your thought process behind the film's ending? Without revealing any spoilers, what kind of impact were you aiming to have on the audience?

I concluded the movie with a cliffhanger. My intention was to leave viewers on tenterhooks, pondering over the subsequent events. Even though we witness the protagonist's "victory," there's an underlying sense that danger is imminent or rapidly approaching, which was precisely the effect I was aiming for. It seems we'll have to wait and see what happens next!

What do you believe distinguishes this film from others within its genre?


In an intentional move, I chose a female protagonist, which is not a common choice for narratives involving struggles with crime, drugs, and violence at a young age, as is the case with Mahogany. I believe this unique element sets my film apart from the majority.

How do you envision this film impacting your future work and career?

I foresee this film playing a significant role in shaping my career as I interact with other filmmakers. Having successfully completed this project, I have demonstrated the credibility, skill, and talent required to produce more films. This film served as my gateway into the world of film production, a fact for which I am profoundly grateful. Now, people can see my ability to transform a vision into a creative reality.

What advice would you offer to aspiring filmmakers who wish to create compelling and entertaining cinema?

I would urge those aspiring to create impactful and entertaining cinema to just get started! Overthinking and self-doubt should be avoided; instead, take the first step towards making it happen. I would also encourage emerging filmmakers to have faith in their vision. If an idea has come to you, there's a reason for it, and it's your responsibility as a creator to bring it to fruition.

Looking back, would you have done anything differently?

Yes, I would have certainly allocated more time to film an entire feature-length movie. I wouldn't advise anyone to try shooting a movie in just seven days, despite its feasibility. It's crucial to take ample time when creating films, given the multitude of considerations involved. In retrospect, I would have set aside at least two and a half weeks to film the movie "Mahogany."

Could you talk about some of your influences as a filmmaker? How have they influenced this film?

A few individuals who have significantly influenced me as a filmmaker include Jordan Peele, Spike Lee, and Issa Rae. I admire unique aspects within each of them and their work. They have each inspired me to remain true to my vision and to carve out a space for black and brown people in the film industry.

Are there any scenes in the film that you consider especially powerful? Why? We think we know which one you’re going to mention!

The scene I find most impactful involves a conversation between Granny and Mo in the kitchen, where Granny advises Mo on how to seize control of her life. I felt it was crucial to convey the film's central theme to the main character in this scene. As Mo listens to her grandmother, you can sense how deeply Granny's message resonates with her. This scene was the most powerful as it served as the catalyst for change.

Finally, could you tell us about your future plans? Are there any forthcoming projects you can divulge?

Mahogany Films Productions is set to release many more projects in the future. The next one I am involved in is a suspense thriller titled "Him." We are scheduled to start production for this film in the fall of 2023. I am thrilled to explore another genre.
Picture
Picture
© 2020 Lonely Wolf, member of FILMFINITY SL. All Rights Reserved.
Cookies Policy
Legal Notice
​Privacy Policy
​Content Rights
Picture
Picture
Picture
Picture
Picture
  • About
    • Director Statement
    • Exposure Opportunities
    • Meet Jury
    • Testimonials
    • Awards Categories
    • Terms & Conditions
  • News Journal
    • Press Releases >
      • | 2024 | >
        • WINTER CLASSIFIERS (23 DEC)
        • SUMMER CLASSIFIERS (28 AUG)
      • | 2023 | >
        • WINTER CLASSIFIERS (21 DEC)
        • SUMMER CLASSIFIERS (31 JUL)
        • SPRING CLASSIFIERS (28 APR)
      • | 2022 | >
        • WINTER FEST (23-31 Dec)
        • SPRING FEST (29 APR-7 MAY)
    • Film Reviews >
      • | 2024 |
      • WINTER CLASSIFIERS (18 DEC)
      • SUMMER CLASSIFIERS (28 AUG)
      • | 2023 |
      • WINTER CLASSIFIERS (21 DEC)
      • SUMMER CLASSIFIERS (31 JUL)
      • SPRING CLASSIFIERS (28 APR)
      • | 2021 |
      • WINTER FEST (16-26 DEC)
      • SUMMER FEST (30 JUL-8 AUG)
      • SPRING FEST (27 MAR-4 APR)
      • | 2020 |
      • WINTER FEST (15-31 DEC)
      • AUTUMN FEST (30 SEP-4 OCT)
      • SUMMER FEST (22-26 JUL)
    • Screenplay Feedback
    • Interviews >
      • | 2023 | >
        • SPRING CLASSIFIERS (28 APR) >
          • A SPECIAL BREAKFAST (Germany) · Savo Cubrilovic, Sarah Timm
          • MAHOGANY (USA) · Allana De'nai
          • THE STORY OF TITUBA: HAPPY 4 U (Sweden) · Jayce Landberg
          • WE THE PEOPLE? (USA) · Sai Man (Simon) Zhao
          • WHEN BUYING A FINE MURDER (Italy) · Gabriele Tacchi
          • DON'T CRY (Germany) · Hisham Zreiq
          • TROLLED (USA) · John F. Uranday
      • | 2022 | >
        • WINTER FEST (23-31 Dec)
  • Competition Results
    • | 2024 |
    • WINTER CLASSIFIERS (18 DEC)
    • SUMMER CLASSIFIERS (28 AUG) >
      • MAIN DIVISION
      • DIVISION 2
    • | 2023 |
    • WINTER CLASSIFIERS (21 DEC) >
      • MAIN COMPETITION
      • DIVISION 2
    • SUMMER CLASSIFIERS (31 JUL) >
      • 1ST PLACE WINNERS & TOP 10 NOMINEES
      • TOP 11-20 SEMI-FINALISTS
      • TOP 21-30 QUARTER-FINALISTS
    • SPRING CLASSIFIERS (28 APR) >
      • 1ST PLACE WINNERS & TOP 10 NOMINEES
      • TOP 11-20 SEMI-FINALISTS
      • TOP 21-30 QUARTER-FINALISTS
    • | 2022 |
    • WINTER FEST (23-31 Dec) >
      • 1ST PLACE WINNERS & TOP 10 NOMINEES
      • TOP 11-20 SEMI-FINALISTS
      • TOP 21-30 QUARTER-FINALISTS
    • SUMMER FEST (10-14 AUG) - ALL FINALISTS
    • SPRING FEST (29 APR-7 MAY) - ALL FINALISTS
    • | 2021 |
    • WINTER FEST (16-26 DEC) - ALL FINALISTS
    • SUMMER FEST (30 JUL-8 AUG) - ALL FINALISTS
    • SPRING FEST (27 MAR-4 APR) - ALL FINALISTS
    • | 2020 |
    • WINTER 2020 FEST (15-31 DEC) - ALL FINALISTS
    • AUTUMN 2020 FEST (30 SEP-4 OCT) - ALL FINALISTS
    • SUMMER 2020 FEST (22-26 JUL) - ALL FINALISTS
  • Digital Cinema
    • | 2024 |
    • WINTER FEST (18-31 Dec)
    • | 2023 |
    • 🔒 WINTER FEST (21-31 Dec)
    • | 2022 |
    • 🔒 WINTER FEST (23-31 Dec)
    • 🔒 SUMMER FEST (10-14 AUG)
    • 🔒 SPRING FEST (29 APR-7 MAY)
    • | 2021 |
    • 🔒 WINTER FEST (16-26 DEC)
    • 🔒 SUMMER FEST (30 JUL-8 AUG)
    • 🔒 SPRING FEST (27 MAR-4 APR)
    • | 2020 |
    • 🔒 WINTER 2020 FEST (15-31 DEC)
    • 🔒 AUTUMN 2020 FEST (30 SEP-4 OCT)
    • 🔒 SUMMER 2020 FEST (22-26 JUL)
  • SUBMIT NOW